Khuli Chana featuring JR
Today I am thinking about female African pop stars, the ones who inspired and interested me when I was younger. Intrepid women who kicked down doors and destroyed barriers with the power of their vocals.
I am thinking in particular of three South African women who made a special place for themselves in the music industry and in my heart.
“Princess of Africa”
Ask anyone who lived in Africa during the eighties and they will be happy to sing some kind of localized version of Yvonne Chaka Chaka’s song Umqombothi. It is a song about home brewed beermade from sorghum or mealie-meal. It is first and foremost a party song, and I have fond memories of watching the adults get drunk and dance to it at parties when I was a child. It is also about the women who made umqombothi, and ran shebeens (speakeasies) in order to entertain the working men and feed their children in the poverty stricken townships. During Apartheid especially, shebeens were a cultural centre, an oasis of peace hidden from the burning South African sun of oppression.
Yvonne Chaka Chaka grew up under that sun; in fact she was the first black child to ever appear on South African television. When asked who she admired most, Chaka Chaka said
“My mother because she has always been there for me. My mother raised three daughters single-handedly on a domestic workers salary. That took great courage and strength. She is my mentor and hero. When I was born in 1965 in Soweto, it was during apartheid, and those were extremely difficult times. My dad was a great musician who could never realize his dream. He died when I was 11 years old. I inherited my talent from both parents, so music has always been in my blood .When I was little I would strum an empty tin and blow into a broom stick pretending it was a microphone. I sang in church choirs. I loved singing. I am blessed that I achieved my destiny, and been able to accomplish what my father could not.”
From Johannesburg-based Zimbabwean artist and activist Kudzanai Chiurai
Chiurai’s portraits imagine an African cabinet that is at once provocative, modern, and hilarious even as it traffics in painful stereotypes, while speaking volumes about the current state of African political structures.
I LOVE IT
an illustration of “how Africans want to be seen rather than how they are forced to be seen.”
You can read more here
You might also like:
from the home library:
Some of the hairstyles in this book can officially be considered vintage (1980s)I think. And some are are even vintagey-er
PDF image at the link:
Some choice quotes:
some new version of colonialism may be the best thing that could happen to at least some countries in the postcolonial world.
The colonialists of yore may often have been bigots, but they were also, just as often, doers. Their colonies were better places than the shipwrecked countries we have today.